Tsotsi by Athol FugardTsotsi is a real find, by one of the most affecting and moving writers of our time (Financial Times)-- and the novel is now being reissued to coincide with the release of a feature film, which is already being compared to 2004s runaway hit City of God.
One of the worlds preeminent playwrights, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize (Mel Gussow, The New Yorker), Athol Fugard is renowned for his relentless explorations of personal and political survival in apartheid South Africa -- which include his now classic plays Master Harold . . . and the Boys and The Blood Knot. Fugard has written a single novel, Tsotsi, which director Gavin Hood has made into a feature film that The Times (London) calls a remarkable achievement and is South Africa s official entry for the 2006 Academy Awards.
Set amid the sprawling Johannesburg township of Soweto, where survival is the primary objective, Tsotsi traces six days in the life of a ruthless young gang leader. When we meet Tsotsi, he is a man without a name (tsotsi is Afrikaans for hoodlum ) who has repressed his past and now exists only to stage and execute vicious crimes. When he inadvertently kidnaps a baby, Tsotsi is confronted with memories of his own painful childhood, and this angry young man begins to rediscover his own humanity, dignity, and capacity to love.
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He is best known for his political plays opposing the system of apartheid and for the Academy Award -winning film of his novel Tsotsi , directed by Gavin Hood. His mother, Marrie Potgieter , an Afrikaner , operated first a general store and then a lodging house; his father, Harold Fugard, was a disabled former jazz pianist of Irish, English and French Huguenot descent. The couple have since divorced.
Athol Fugard , in full Athol Harold Lannigan Fugard , born June 11, , Middelburg, South Africa , South African dramatist, actor, and director who became internationally known for his penetrating and pessimistic analyses of South African society during the apartheid period. Boesman and Lena , filmed in with Fugard as Boesman, played to a wider audience than any previous South African play; another film adaptation was released in Provoked by such criticism , Fugard began to question the nature of his art and his emulation of European dramatists. A much more traditionally structured play , Dimetos , was performed at the Edinburgh Festival. Fugard also wrote the novel Tsotsi ; film
Those who have inspired us. Those who have defined us. Those who have shown us our common humanity. Click here for printer-friendly version Athol Fugard Playwright 11 June -? Born in the remote village of Middleburg, Cape Province, Fugard grew up in Port Elizabeth, the setting for most of his plays. His full name is Harold Athol Lanigan Fugard and as a child he was known as Hally before he decided he wanted to be called Athol. His parents were English and Afrikaans, with English as his mother tongue he describes himself as an Afrikaner writing in English.
Athol Fugard born was a South African playwright known for his subtle, poignant descriptions of the racial problems in his country. Athol Fugard was born on June 11, , in Middelburgh, a small village in the Karroo district in South Africa, of an English-speaking father and an Afrikaner mother. When he was three years old the family moved to Port Elizabeth, an industrial city on the Indian Ocean coast where Fugard was to spend, off and on, most of his life, and where he was to set most of his plays.
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Tony Award for Lifetime Achievement
Both actors provided for the audience a profound and compelling interpretation of "The Blood Knot" of two brothers white and black who were both confused and bewildered. From beginning to its conclusion, Robinson and Pereira were totally involved in the play Having seen many productions of "Blood Knot" since it first premiered two decades ago, Excaliber Shakespeare Company's production is by far the best I have witnessed. Actor-director Darryl Maximilian Robinson wears the laborer Zachariah's roughneck demeanor like a pair of well-worn work boots. Douglas Pelletier's portrayal of Morris is a perfect foil to Zachariah Both actors bring their character's conflict to a boil in physical scenes that are as searing as the scenes of emotional sparring. This production of The Blood Knot shows the path to racial accommodation will not always be painless.