Sarah McLachlan - Surfacing by Hal Leonard Publishing Company
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She felt incapable of writing anything for the first three months, faintly aware of something stirring inside her which routinely failed to assemble into words or songs.
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Sarah McLachlan. Receiving voice, classical piano and guitar lessons as a child, by the time she was 17 Sarah McLachlan was already fronting a short-lived rock band called The October Game whose first concert resulted in her being offered a recording contract with Vancouver-based independent record label Nettwerk. Persuaded by her parents to finish high school and complete a year at the Nova Scotia College of Art and Design, two years later she moved to Vancouver and finally signed to Nettwerk still not having written a single song. She recorded her first album, Touch, in , which received both critical and commercial success and included the hit song Vox. With six studio albums under her belt, McLachlan - known for her emotional ballads and mezzo-soprano vocal range - had sold more than 40 million albums worldwide by with 's Surfacing being her most successful. In McLachlan married her drummer Ashwin Sood, with whom she has two daughters.
The War Against Silence. The War Against Silence was a weekly music-review column, and then a weekly column about music, and then a weekly column that was often inspired by music. It was written by glenn mcdonald, in Cambridge, Massachusetts, through a decade of devices and dreams and sleepless Wednesday nights. It was against many things, beginning with but not necessarily including silence, and in favor of many more, including some of the things it was once against and eventually its own end. It may or may not occasionally be updated in its demise. I looked at her blankly, trying to think what this sentence could mean. Isn't that the point of a home?
Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan. Released in , it was produced by McLachlan's frequent collaborator, Pierre Marchand. McLachlan set about writing Surfacing in , after two and a half years touring for her previous album, 's Fumbling Towards Ecstasy. Mentally exhausted, she found it difficult to concentrate on her new album and took six months off in Vancouver. After that she completed the ten songs for the album and went to Marchand's Quebec studio to record. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.